Mada: The end of revolution, the return of nostalgia: Hany Rashed’s Baba Museum

Mada: The end of revolution, the return of nostalgia: Hany Rashed’s Baba Museum. “As a child, the artist Hany Rashed waited for his father, Salah, to come home so he could sit by him and watch as he unloaded strange objects from bulging pockets. What would he pull out today? Salah Rashed, who worked at Maspero, the headquarters of the Egyptian Radio and TV Union, mined the streets, shops, and his day-to-day life for things — keys, locks, rosaries, stones — which he kept safe in a closet, declared off limits.”

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