PSN Europe: An investigation into the world of digitising and archiving. “PSNEurope’s Marc Maes takes a deep dive into the world of audiovisual digitising and archiving by investigating the workings of VIAA, the Flemish Institute for Archiving, on its expansive, 12 million euro digitisation project, as well as the French-speaking RTBF and the leading Memnon Archiving services…”
Engadget: The best audio editing software for beginning podcasters. “For this review, we’ve focused on software intended for audio recording and mixing: the process of capturing sound from a microphone or other device plugged into an audio interface, and then processing it digitally. Since podcasters are typically looking to record voices and natural environments to support their storytelling, this is the type of software best suited to that process. This is also the workflow you’d use when recording musicians live, and many of the apps we looked at are well-suited to this type of recording, too.”
Digital Library of Georgia: Digitized recordings of the radio program Southwind: The New Sounds of the Old Confederacy now available.. “Atlanta journalist Boyd Lewis conceived, created, produced, and hosted Southwind, a half-hour radio program of features and documentaries on the people, issues, and events of the South. The program aired on WABE-FM in Atlanta between November 14, 1980 and January 29, 1987. The collection contains 150 out of the 177 editions that were recorded. Each of the Southwind programs consisted of one to three segments that featured original reporting either by Mr. Lewis or his colleagues in public radio throughout the Southeast. Many of the segments focused on contemporary events that Mr. Lewis placed in historical context, while other segments were retrospectives of past events that featured the voices of the participants. The segments touched upon a broad range of topics relating to the history of Atlanta and the American South in the mid-to-late 20th century, including the Civil Rights Movement; African American history; city and regional economic and cultural development in the southeast; business and labor history; Atlanta theater; folk life; literature, and political history.”
TorrentFreak: Kenyan Govt. Protests as National Anthem Hit With YouTube Copyright Complaint. “The Kenyan Department of Justice has aired its displeasure after a video on YouTube featuring the country’s national anthem was hit by a copyright complaint. UK-based De Wolfe Music is claiming to be the owner of the track, which is actually in the public domain.”
Lifehacker: Get Free Ambient Work Music With Flow State . “Every morning Flow State emails subscribers a set of background music, mostly wordless, to soundtrack your work day. And they’re pretty good at digging up non-obvious music, some of which isn’t even available on major streaming services (though almost all of it is on YouTube). Past artists include Max Richter, Olivier Messiaen, Debussy, Johann Johannsson, Tangerine Dream, Kaoru Inoue, Brian Eno, and William Basinski. (Yep, almost all men, sorry.) Occasionally there’s a DJ mix that incorporates several artists.” Flow State used to cost money but now it is free.
CNET: Grammys 2019: Start time, livestream, nominees, performances and more. “The Grammys are returning to Los Angeles. Last year’s show took place in New York City, but the 61st annual Grammy Awards will find music’s biggest stars back in the City of Angels this Sunday, Feb. 10.”
New York Times: A Beginner’s Guide to Getting Into Podcasts. “As a content-obsessed millennial, I have made podcasts part of my daily routine for years. I listen while commuting, cooking, running errands, putting away laundry, washing dishes or during any relatively mindless activity that can be done while wearing wireless headphones. My bond with podcasts is so cemented that it comes as a shock when someone I meet at a party — or someone in my family, or a friend I thought I knew — tells me that they, in the year 2019, do not listen to podcasts. And never have. And don’t really get what it’s all about. And, worse, don’t quite know how to start.”