Motoring Research: Gordon Murray’s online museum is virtually brilliant

Motoring Research: Gordon Murray’s online museum is virtually brilliant. “Warning: if you intend to immerse yourself in the virtual world of Gordon Murray’s online exhibition, a lunch-hour won’t be enough. Tell your boss you need to spend the afternoon researching. Or something. The One Formula exhibition is an internet-based museum, allowing visitors to ‘wander’ (and wonder) through 50 years of Gordon Murray’s work. It’s free to enter and there are no queues.” Gordan Murray designs Formula One race cars. You can learn more about him at

Medium: A Gratuitous Rundown of More Than Three Decades of Gratuitously Cartographic Advertisements in Fortune Magazine

Medium: A Gratuitous Rundown of More Than Three Decades of Gratuitously Cartographic Advertisements in Fortune Magazine. “Fortune magazine is known for its rich legacy of informative and often avant-garde explanatory graphics. From the get-go in the early 1930s, the magazine featured lush illustrated maps. Throughout the 1940s, cartographers like Richard Edes Harrison filled Fortune’s pages with beautiful maps on topics both grave and playful. This tradition continued through the 1950s and beyond.” It’s not a database or even a slide show — it’s just a long, long, LONG set of advertisements from Fortune. I found the mention at The Map Room and didn’t know where to put it. If you’re at all interested in print magazine ads you’ll like this. (Just know you’ll be scrolling for days.)

A Database Measuring All Kinds of Things

A blog post at Kottke pointed me toward Dimensions.Guide. From its front page: “Dimensions.Guide is a comprehensive reference database of dimensioned drawings documenting the standard measurements and sizes of the everyday objects and spaces that make up our world. Created as a universal resource to better communicate the basic properties, systems, and logics of our built environment, Dimensions.Guide is a free platform for increasing public and professional knowledge of life and design.” The front page when I looked at it had a bunch of furniture measurements, then I went browsing and found animals and cornhole fields and plants and TV show characters….

The Atlantic: The Instagram Aesthetic Is Over

The Atlantic: The Instagram Aesthetic Is Over. “As Instagram has grown to more than 1 billion monthly users, it has ushered in a very particular look: bright walls, artfully arranged lattes and avocado toast, and Millennial-pink everything, all with that carefully staged, color-corrected, glossy-looking aesthetic. Photos that play into these trends perform so well on Instagram that the look became synonymous with the platform itself, then seeped into the broader world. Even if you don’t use the app, you’ve undoubtedly encountered an ‘Instagram wall,’ a pop-up experience like the Museum of Ice Cream, or a brightly patterned restaurant bathroom just made to be photographed.”

Slate: End the Tyranny of Arial

Slate, and let me say up front I don’t agree with the “blogging is dead” part (for obvious reasons): End the Tyranny of Arial. “After an era where customizability was the norm, we’ve now reached a period where everything we read online looks the same. Blogging is dead, and the current dominant social media platforms have settled on a unified look: Facebook, Twitter, and Instagram pages largely look the same. While Slack offers themes to change its default colors, and there are third-party apps to modify WhatsApp, there’s little you can do to change the look of messages you send.”

Mashable: The small corner of Instagram dedicated to temporary wallpaper is uncommonly magical

Mashable: The small corner of Instagram dedicated to temporary wallpaper is uncommonly magical. “Nearly every piece of wallpaper I’ve seen since then has been a real eyesore, so for most of my adult life I’ve remained confident in my opinion. Until the day I was scrolling through Instagram and a bold floral print atop a subtle blush background caught my eye. In an instant, everything changed.”