Poz: Viewing the History of HIV Through AIDS Posters

Poz: Viewing the History of HIV Through AIDS Posters . “Three recent art exhibitions emphasize the pivotal role played by HIV and AIDS posters since the virus emerged in the early ’80s. Donald Albrecht drew from the poster collection of the University of Rochester’s River Campus Libraries’ Department of Rare Books, Special Collections and Preservation to curate Up Against the Wall: Art, Activism, and the AIDS Poster, which was presented at the University’s Memorial Art Gallery. Andy Campbell worked with the ONE Archives and ONE Archives Foundation to curate Days of Rage, a multimedia online exhibition featuring activists and designers discussing their work. Theodore (ted) Kerr organized the online exhibition AIDS, Posters & Stories of Public Health: A People’s History of a Pandemic for the National Library of Medicine (NLM).”

Atlas Obscura: The Delightful Doodles and Hidden Scribbles on the Backs of Artworks

Atlas Obscura: The Delightful Doodles and Hidden Scribbles on the Backs of Artworks. “AROUND A DECADE AGO, GEORGE Eksts was digitizing a 19th-century photograph for the Victoria & Albert Museum, in London, when he turned it over and noticed that someone had doodled on the back. The front side showed an image of Kashmiri temple ruins, taken by the photographer Francis Frith. But on the reverse, rotated 90 degrees from the orientation of the photograph, were bizarre pencil portraits of a headless man, as well as a long-beaked creature with human legs.”

New-to-me: Posters for the People

New to me, but it’s been in my queue for a few mindbending days and I can’t remember where I found it. But still: Posters for the People. From the front page: “Welcome to the most comprehensive record of posters created under the New Deal’s Federal Art Project. More than doubling the number of posters thought to exist, this online resource brings many posters to light that have not been seen by the public in more than 80 years.” There are over 2100 posters in this collection.