ArtsHub: Australian collection hits 4 million items

ArtsHub (Australia): Australian collection hits 4 million items. “There are not many collecting institutions in Australia that can boast over four million items. This week, the National Film and Sound Archive (NFSA) – which is located in Canberra – has done the numbers, and, thanks to a boost in collection acquisitions during 2022, it can now stand among a coterie of collections that are truly representative of Australian culture.”

Kotaku Australia: How Do You Preserve A Video Game?

Kotaku Australia: How Do You Preserve A Video Game?. “The National Film and Sound Archive (NFSA) very recently appointed Chris Arneil as their Assistant Curator in Games, which is the first time they have had someone in a full-time role regarding video game curation in their archive…. To learn a little more about what goes into the work of preserving games, as well as how the NFSA will go about archiving the history of the Australian video games industry, I decided to sit down and have a chat with Arneil.”

ABC News (Australia): National Film and Sound Archive announces 2021 Sounds of Australia inductees

ABC News (Australia): National Film and Sound Archive announces 2021 Sounds of Australia inductees. “‘For the pain, suffering and hurt of these Stolen Generations, their descendants and for their families left behind, we say sorry.’ These words from Kevin Rudd’s Apology to Australia’s Indigenous Peoples were heard across the country when they were first uttered in 2008, as part of a formal apology on behalf of the Australian Parliament to Aboriginal and Torres Strait Islander peoples. Now, they have been added to the National Film and Sound Archive’s (NFSA) Sounds of Australia for 2021.”

Government of Australia: Preserving Australia’s at-risk collections with $47 million

Government of Australia: Preserving Australia’s at-risk collections with $47 million. “The Morrison Government is investing more than $47 million to digitise and preserve collection material held by the National Film and Sound Archive (NFSA), and seven other National Collecting Institutions, and to maintain the National Library of Australia’s (NLA) Trove website. The NFSA will receive $41.9 million over four years to fund a major program to digitise and store at-risk audio-visual collection material held across the eight National Collecting Institutions.”

RiotAct: National Film and Sound Archive preserving lockdown’s creative collection

RiotAct: National Film and Sound Archive preserving lockdown’s creative collection. “Among some of the quirky bits and pieces preserved for posterity in the NFSA’s ‘Creativity in the Time of COVID’ project – which has been running throughout Australia’s arduous lockdowns – you’ll find the YouTube hit, Nat’s What I Reckon, which takes cooking shows in a bizarre direction thanks to rocker host Nat. You can also find internet hit Love in Lockdown, an unlikely romantic comedy created by TV comedians Robyn Butler and Wayne Hope.” Nat’s What I Reckon sounded fun so I took a look. It’s like YOU SUCK AT COOKING goes to Hell via Australia. I subscribed immediately.

ABC News (Australia): National Film and Sound Archive offering up some of its international collection of records, cylinders

From ABC News in Australia, and I swear I did not plan for these two stories to go side by side: National Film and Sound Archive offering up some of its international collection of records, cylinders. “The National Film and Sound Archive (NFSA) in Canberra is offering up 77 pallets of international sound material which curators say do not fit within the scope of their collection. The archive’s head of collection, Jacqui Uhlmann, says there are thousands of old records, wax cylinders and a MasterTouch Collection of international pianola rolls up for grabs.”

IF (Australia): NFSA to receive $2 million in additional funding

IF (Australia): NFSA to receive $2 million in additional funding. “The National Film and Sound Archive (NFSA) will receive a $2 million boost in tomorrow’s Federal Budget as part of a funding package for national collecting institutions. Announced on Saturday, eight institutions will share in $79.9 million of additional support, of which $32.4 million will go towards the delivery of public services and programs, while $47.5 will be allocated to five institutions for a variety of capital works.”

National Film and Sound Archive of Australia: Priceless Collection Of 100-year-old Films Digitally Restored

National Film and Sound Archive of Australia: Priceless Collection Of 100-year-old Films Digitally Restored. “The National Film and Sound Archive of Australia (NFSA) has digitally restored The Corrick Collection, containing 135 of the world’s earliest films, which formed part of the Corrick Family Entertainers variety act over 100 years ago. A selection of these priceless films will have a world premiere at Ten Days on the Island from 5-21 March 2021, to celebrate the Corricks’ connection with Tasmania. Further national and international screenings will be announced in coming months. Additionally, five films from The Corrick Collection are now available to audiences worldwide on the NFSA’s YouTube channel.”

NFSA Launches ❤ Kylie: A Celebration (National Film and Sound Archive of Australia)

National Film and Sound Archive of Australia: NFSA Launches ❤ Kylie: A Celebration. “The National Film and Sound Archive of Australia (NFSA) is turning into a Disco to celebrate Kylie Minogue’s countless achievements with a new online-only exhibition, ❤ Kylie: A Celebration. Now available at nfsa.gov.au/kylie, this online experience features rare content sourced from the NFSA’s vast audiovisual collection, spanning four decades of Kylie performances, interviews and more. ❤ Kylie: A Celebration is published three weeks ahead of Kylie’s 15th studio album, titled Disco.”

ArtsHub (Australia): $5.5 Million for National Film and Sound Archive

ArtsHub: $5.5 Million for National Film and Sound Archive. This is Australia. “Perenially starved, fighting a tsunami of content, forced to choose between acquisition and accessibility, the NFSA is always starved for cash. Today Minister Fletcher made a funding announcement as part of a flurry of activity at the cultural end of his portfolio. The NFSA will receive $5.5 million over the next four years. Sounds like junk money but it is claimed to be enough to ‘achieve the digitisation of all audio and video magnetic tape by 2025’.”

Nintendo Life: Australia’s National Film And Sound Archive To Preserve Locally Made Games

Nintendo Life: Australia’s National Film And Sound Archive To Preserve Locally Made Games. “Now that the digital age has arrived, video game preservation is arguably more important than ever. Fortunately, steps are slowly being taken around the world to ensure this industry’s rich history lives on for the benefit of future generations. Down under, the National Film and Sound Archive of Australia has announced it will begin to archive locally made games – including the storyboards, artwork, and soundtracks associated with each one.”

Mirage News: Rare clips of Dame Edna through the ages published online

Mirage News: Rare clips of Dame Edna through the ages published online. “Hello possums! The National Film and Sound Archive of Australia (NFSA) is celebrating the one and only Dame Edna Everage with a new online collection featuring rare video clips of Edna through the ages…. Initially a suburban housewife from Moonee Ponds, Edna Everage (as in average) was created by satirist Barry Humphries in 1955 whilst touring with a group of actors around Victoria in 1955. She was a caricature of mayor’s wives they met on the road and was named after his childhood nanny, and even Humphries himself was taken by surprise at her popularity.”

ABC News (Australia): National Film and Sound Archive needs your help to identify 1930s aspiring actors

ABC News (Australia): National Film and Sound Archive needs your help to identify 1930s aspiring actors. “The National Film and Sound Archive (NFSA) is appealing for public help in identifying photographs of hundreds of would-be actors hoping for a break in the 1930s. The portraits, mainly of young women, were submitted in response to a talent callout by Stuart Doyle and Ken G Hall, the founders of Australian film company Cinesound.”