iNews: What was on TV the day you were born? Historic Radio Times listings now online through BBC Genome Project

iNews: What was on TV the day you were born? Historic Radio Times listings now online through BBC Genome Project. “What was on television the day you were born? The BBC is launching a searchable database of Radio Times programme listings dating back to 1923, through the broadcaster’s own Genome Project. The BBC has now made all 1940s issues of the Radio Times publicly available online for the first time.” The 1920s and 1930s were already available.

The Vinyl Factory: This website collects underground radio stations from around the world in one place

The Vinyl Factory: This website collects underground radio stations from around the world in one place. “The site currently features stations from 53 different cities and 28 countries, including NTS and Soho Radio – home to The Vinyl Factory’s monthly show – as well as WFMU, The Lot and Berlin Community Radio.”

The Guardian: Sounds of the youth? BBC radio app targets next generation

The Guardian: Sounds of the youth? BBC radio app targets next generation. “The problem is that ever since the BBC was founded almost a century ago it has been based around an era of broadcasting that was designed towards a comprehensive offering: a shared listening – and then viewing – experience. But just as Netflix upended TV viewing habits, the growth of podcasts and Spotify means listeners increasingly expect their audio content to be personalised to them. Put simply, they no longer need to listen to a playlist or a schedule that does not perfectly suit their needs.” Hey, I listen to BBC Radio all the time! — uh, via a podcasts app.

Radioworld: Alt Station Experiments With VR

Radioworld: Alt Station Experiments With VR. “Due to space limitations, only 70 people are allowed into 91.9 WFPK(FM)’s ‘Live Lunch’ music concerts. The events are broadcast live on the Louisville, Ky., independent alternative station every Friday at noon. Until now, the only way to enjoy these concerts was to be one of the lucky 70 attendees or to listen via WFPK’s FM broadcast or web streaming. But things changed the first day of June. When the band Awolnation took to the stage at the downtown Louisville Public Media performance studio that noon hour, a new audience got to see the concert in virtual reality.”

Radio Survivor: The Brooklyn Pirate Radio Sound Map Is Now Online

Radio Survivor: The Brooklyn Pirate Radio Sound Map Is Now Online. “Brooklyn, NY has one of the densest populations of unlicensed pirate radio stations in the U.S. As he explained on episode #133 of our radio show, journalist David Goren has been tracking and recording these stations for two decades. Now you can sample his archive of pirate airchecks with the interactive Brooklyn Pirate Radio Map, which just went online.”

UGA Today: UGA Libraries to preserve local public broadcasts

UGA Today: UGA Libraries to preserve local public broadcasts. “Some 4,000 hours of programming produced by public radio and television stations between 1941 and 1999 will be digitized and made available to the public, thanks to a federal grant for the Brown Media Archives at the University of Georgia Libraries.”

Chicago Tribune: Studs Terkel Radio Archive will be made public this week, with 5,000-plus stories that needed to be saved

Chicago Tribune: Studs Terkel Radio Archive will be made public this week, with 5,000-plus stories that needed to be saved. “I knew Studs Terkel since, actually, the day I was born. He took my father, his friend, out for a celebratory drink, or three, that long-ago day, and over the next decades, I wrote many thousands of words about him: his best-selling books, his WFMT radio show, his activism, his awards, enthusiasm and insatiable curiosity. I wrote about him when he underwent a risky open-heart procedure when he was 93 and from which he emerged saying, ‘I’m a medical miracle,’ and when he died on Halloween in 2008 at 96, I wrote his obituary. What more can there be to say? Well, I am done, actually, because when this story ends, I will stop writing about Studs and start listening to him. That will occupy a great deal of time because on Wednesday, the first 1,800 or so of the 5,600 or so hours of Studs’ remarkable radio programs will become readily available for any interested ears and minds. “