Architectural Digest: So This Is What the Noguchi Museum Got Up to During Quarantine

Architectural Digest: So This Is What the Noguchi Museum Got Up to During Quarantine. “With limited social interaction comes more opportunities for reflection, meditation, and contemplation. The last five months have offered that opportunity, though people and institutions have taken to it with varying degrees of enthusiasm. The Noguchi Museum in Queens, New York, has chosen to lean even further into the culture of stillness that their founder Isamu Noguchi engaged with during his lifetime. During one week in May, Dakin Hart, the senior curator of the museum, and artist Nick Knight collaborated on a special project celebrating the ideals of Noguchi. Distance Noguchi is a series of twenty-two films of roughly four hours each (edited down from 80 hours of raw footage) that have now been made available through the museum website.”

Apartment Therapy: Lucy Liu is Also an Artist—and Her First U.S. Museum Exhibition Can be Toured Online

Apartment Therapy: Lucy Liu is Also an Artist—and Her First U.S. Museum Exhibition Can be Toured Online. “While known for her movie and TV roles, actor Lucy Liu’s resume goes well beyond Hollywood. She’s also a painter and sculptor—and Liu’s first U.S. museum exhibition is now available to tour online. Entitled ‘Lucy Liu: One of These Things is Not Like the Other,’ Liu’s exhibition of wood sculptures and paintings is available to tour on the Napa Valley Museum’s website from now until August 2. To access the tour, museum attendees are asked to make a donation of any amount to provide support for the museum amid the COVID-19 pandemic.”

Crafts Magazine: Free access to Crafts Magazine’s 50 year archive

Crafts Magazine: Free access to Crafts Magazine’s 50 year archive. “At Crafts magazine, their thoughts are with all readers and contributors at this challenging time. To help brighten up isolation, they’re offering you all free access to our digital edition for a month. You can dig into every issue from the magazine’s history – from the shiny latest editions to forgotten hits from the 1970s, 80s and 90s – to while away the hours and be inspired.” This is like museum-level crafts. Sculpture, textiles — I even saw some really impressive umbrellas in one of the 1970s issues.

Reason: A German Museum Tried To Hide This Stunning 3D Scan of an Iconic Egyptian Artifact. Today You Can See It for the First Time

Reason: A German Museum Tried To Hide This Stunning 3D Scan of an Iconic Egyptian Artifact. Today You Can See It for the First Time. “In Berlin, the state-funded Egyptian Museum and Papyrus Collection has a high-quality, full-color 3D scan of the most iconic portrait sculpture ever produced, the 3,364-year-old Bust of Nefertiti. It has held this artifact since 1920, just a few years after its discovery in Amarna, Egypt; Egypt has been demanding its repatriation ever since it first went on display. The bust is one of the most copied works of ancient Egyptian art, and has become a cultural symbol of Berlin. For reasons the museum has difficulty explaining, this scan too is off-limits to the public. Rather, it was off-limits. I was able to obtain it after a 3-year-long freedom of information effort directed at the organization that oversees the museum.”

Art Forum: Noguchi Museum Launches Digital Archive

Art Forum: Noguchi Museum Launches Digital Archive. “The Isamu Noguchi Foundation and Garden Museum (the Noguchi Museum) in Long Island City, New York, has announced the launch of its Isamu Noguchi Archive. The digitization initiative was part of a multiyear project to make the sculptor’s works more accessible to the public. More than sixty thousand objects including project records, press clippings, correspondence, and other archival materials as well as twenty-eight thousand images of Noguchi’s artworks, exhibitions and studios, and international travels are now available online.”

San Francisco Chronicle: Up your selfie game at Cantor Arts Center’s new Instagram-ready sculpture garden

San Francisco Chronicle: Up your selfie game at Cantor Arts Center’s new Instagram-ready sculpture garden. “The life-size bronze sculpture of St. Katharina painted Stanford Cardinal red stands ready to go viral on Instagram, and that’s the point. ‘We are trying to make this a 21st century museum so that we can connect with our 21st century audiences,’ says Susan Dackerman, who was hired in 2017 as director of the Cantor Arts Center.”

Engadget: Thanks to AR, the Statue of Liberty is more accessible than ever

Engadget: Thanks to AR, the Statue of Liberty is more accessible than ever. “Rather than build the Statue of Liberty in such a way that its 200,000-lb copper shell stood upright on its own, Gustave Eiffel — the man behind the eponymous tower — designed it around a massive inner framework. You might have already known this, but it’s the kind of detail that doesn’t often spring to mind unless you’re 1) a French/American history buff or 2) someone who has already been inside the thing. Thankfully, to coincide with the opening of the official Statue of Liberty museum this week, there’s a new AR-focused iOS app to give visitors and the far-flung curious an up-close look at France’s majestic gift to the US.”

Independent (Ireland): Rodin statue outside Nando’s among first to feature in new database

Independent (Ireland): Rodin statue outside Nando’s among first to feature in new database. “A statue of Eve by Auguste Rodin that sits outside a Nando’s restaurant in Harlow is one of the first to be included in a new database of publicly owned sculptures in the UK. Charitable organisation Art UK is working on what they say is the largest sculpture cataloguing project ever undertaken in the UK. They endeavour to have listed an estimated 150,000 pieces online by 2020.”

Unblocking naked Venus: Facebook OKs museum nudes after all (Phys .org)

Phys .org: Unblocking naked Venus: Facebook OKs museum nudes after all. “It seems Facebook can be friends with a topless Venus after all. The social media giant said Tuesday it mistakenly blocked a museum in Switzerland from using images of two statues—a marble Venus and a bronze of a nude, kneeling man—to promote an upcoming exhibit.” Facebook is really excellent at making mistakes like this, isn’t it?

Fuller Craft Museum: Fuller Craft Museum Launches New Digital Archive of Permanent Collection

Fuller Craft Museum: Fuller Craft Museum Launches New Digital Archive of Permanent Collection. “The Permanent Collection at Fuller Craft Museum spans the major craft media of wood, metal, glass, ceramic, and fiber, and includes a diverse range of object classifications, from baskets and jewelry to furniture and outdoor sculpture. The Museum began collecting craft objects in the early 1980s with new works grants from the Massachusetts Council on the Arts and Humanities, and ramped up in 2003 when the Museum’s Board of Directors voted unanimously to shift the focus of the institution to contemporary craft. Now, with nearly 800 objects in our collection and close to 500 emerging, mid-career, and established artists and creators, Fuller Craft represents a wide range of talent and style in contemporary craft.” The archive will be updated over time.

Indiana University: Indiana University and Uffizi Gallery unveil website featuring first set of 3D, digitized artifacts

Indiana University: Indiana University and Uffizi Gallery unveil website featuring first set of 3D, digitized artifacts. “As a result of a collaboration between Indiana University and the Uffizi Gallery in Florence, Italy, it’s now possible to view some of the world’s most admired ancient artifacts and sculptures in 3D without traveling overseas.”

Arab News: ‘Guardian of Nineveh’: Iraqi statue destroyed by Daesh recreated, showcased in the heart of London

Arab News: ‘Guardian of Nineveh’: Iraqi statue destroyed by Daesh recreated, showcased in the heart of London. “Daesh militants smashed the original to pieces in 2015, but it has now been recreated by Iraqi-American artist Michael Rakowitz, using recycled cans that contained another treasure from Iraq — date syrup…. The sculpture was chosen from a shortlist of six and is part of a larger project by Rakowitz. The Chicago-based artist is gradually reconstructing the entire database of 7,000 works looted from the National Museum of Iraq in 2003 or destroyed at archaeological sites in the aftermath of the Iraq war.”

Agenda: Artist Tamara Kvesitadze’s work showcased on Google Arts and Culture

Agenda: Artist Tamara Kvesitadze’s work showcased on Google Arts and Culture. “The extensive online database of Google Arts and Culture now features contemporary art from Georgia, after the online platform launched a display of works by artist Tamara Kvesitadze. Tamara Kvesitadze or the Triumph of Ambivalence is a collection of over 20 works by the creative who has exhibited at the Venice Biennial and major venues in Europe and beyond.”

Northwestern: Unprecedented study of Picasso’s bronzes uncovers new details

Northwestern: Unprecedented study of Picasso’s bronzes uncovers new details. “The international research team of scientists, art conservators and curators used the portable instruments and a robust database of alloy ‘fingerprints’ to non-invasively analyze a priceless group of 39 bronzes (cast between 1905 and 1959) and 11 painted sheet metal sculptures (from the 1960s) in the Musée national Picasso-Paris’ collection.”

Reshaping The Experience Of Art: Digitization And 3D Archives (Digicult)

Digicult: Reshaping The Experience Of Art: Digitization And 3D Archives. “The destruction of world heritage sites and artworks in Mosul, Iraq, in February 2015, sparked a global movement to digitize and preserve important works and monuments. Institutions and individuals were called upon to create, refine and disseminate digital scans of the lost works of art…. This process is transforming where we experience Art, as every scanned object is now accessible regardless of location, wealth or ownership. Previously bound to cultural institutions, the digital archive is now easily obtainable to viewers and can be manipulated, collected, and modified free of decorum. In a way it transposes the museum into the computer, peels off all our preconceived behaviors toward the object while granting us new powers on the works by allowing us to interact with the files.”